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Mill TV scoops an RTS Craft and Design Award for Doctor Who

Friday, November 26, 2010

To round off a fantastic week, our Mill TV team has won their first RTS Craft and Design Award in the 'Effects - Digital' category for their work on the Doctor Who episode, 'The Pandorica Opens'.

The RTS Craft & Design Awards recognise the huge variety of skills and processes involved in programme production, from costume design and digital effects to editing and lighting. The winners of the 2009/2010 awards were announced at a ceremony held at the Savoy in London on Wednesday evening, hosted by Richard McCourt and Dominic Wood (aka Dick and Dom).

In their comments about the winning episode from series 5 of the hit BBC 1 series, the judges were, " ...  impressed by some beautifully integrated effects and by green screen.  This is about as good as it gets on TV."

Congratulations to The Mill TV team for continuing to light up our Saturday nights with Hollywood style VFX and to all the other winners!

For the full list of winners, visit the RTS website

Doctor Who Pandorica Opens

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The British Arrows Craft Awards 2010

Tuesday, November 23, 2010

This year's British Arrows Craft Awards we saw Nike's - Write the Future wipe the board, scooping six awards including the Special Award for Best Crafted Commercial of 2010. We were also delighted that out of these six, we were awarded 2 gold's for The Foundry Award for Best VFX and Visual Composition.

The British Arrows Craft Awards (previously known as the British Television Advertising Craft Awards) recognise those individuals whose production crafts and skills make the UK a major centre of production excellence.

Huge congratulations to all of our clients and everyone who won an award.

We are pretty sure you've seen it but if you wanted to check it out again just follow the link Nike - Write the Future.

Click here to see the full list of winners and finalists:  http://www.btaa.co.uk/index.cfm/s/craft/fa/craft.intro

Also this year we worked with MPC to create a short film for the BTAA's to mark the 2010 sponsors.

After brainstorming sessions across both studios, our Design Director Carl Addy, came up the idea for Rat Race.  Addy created the concept based around the idea of a 'Rat Race'. Using cleverly depicted images of 'rats' as yesteryear's Sporting Hero's, following Addy's direction these were used to bring to life the BTA's hall of fame.



Click here to see the full list of winners and finalists:  http://www.btaa.co.uk/index.cfm/s/craft/fa/craft.intro

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Friday’s technology news round-up from The Mill’s Neil Evely

Friday, November 19, 2010

First up today we have a beautiful short film by our old pal Robin Fenlon, ex PR boy wonder, photographer, film maker and currently botherer of women tennis players for the WTA. Robin travelled 2 days by train and car to Yogjakarta in Indonesia to film the eruption of the Merapi volcano. He'd planned a 4 day shoot but due to the disruption of flights and airport closures, he was left with one day to shoot from his hotel window. Shot on, as far as I'm aware, his trusty Canon 5D II, lets hope he gets another chance to record something equally awesome for longer next time.


Secondly and on a completely different plane of reality, heres YouTube user Okreylos who has hacked the Microsoft Kinect already, after it only being on the market for a matter of hours, to create a "holographic" image by combining the color and depth from the camera's sensors. Essentially he has managed to take what the sensor records and put the image back together. Obviously, as he says, the camera is only looking in one POV, so the shadowy dark parts of the image are what the camera cannot pick up. This is just the tip of the iceberg of something that is apparently just $56 dollars worth of parts & that is only a few geek steps away from producing full holographic pictures and real Minority Report moments. The opportunities are endless…


Could we being seeing a shift in the Canon dominated market of tapeless filming, With the Arri Alexa doing the rounds with its HQ Pro Res format (used recently for KFC at BBH) and a variety of other systems coming on the market such as the Panasonic AG-AF100, the worlds first micro 4/3's digital single lens camera. Next up is the Sony NXCAM HD. This baby comes with a super 35mm equivalent CMOS sensor behind an E-Mount interchangeable lens system. Recording to AVCHD, in 1080p and all your favourite flavours of frame rate including 23.98 and 59.94, all of which is progressive. Planned to be released in mids 2011, but no price as been mentioned as yet.


Oh, and if you didn't already know, there's a new band available on iTunes, called 'The Beatles' if anyones interested.... meh.


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The Mill Wins at London International Awards

Thursday, November 18, 2010

Earlier this month, the winners of the London International Awards were announced and The Mill's effects and animation work came out on top. The Mill LA won a Gold in the Visual Effects category for Old Spice 'The Man Your Man Could Smell Like' out of Wieden + Kennedy, directed by Tom Kuntz.  The Mill NY took home two Silver Awards for AT&T 'Birthday' for Animation and Visual Effects.  The spot was directed by Peter Thwaites via BBDO.

Old Spice also won in the Cosmetics and Direction categories, while AT&T hit big in the Music License category.

Congratulations to all the winners!

Click here to see a full list of winners.

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An Insider’s Guide to becoming a CG Artist by The Mill’s Adam Droy

Friday, November 12, 2010

Ever dreamed of becoming a top CG Artist and seeing your work on the big screen or during the ad break on X-Factor? If so, our very own 3D Artist, Adam Droy, shares his top 5 tips for breaking into the visual effects industry in this week's Guardian Careers section.

Click here to read the full article online.

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Click London 2010

Friday, November 12, 2010

Some of the Digital industry's greatest minds came together at LBi headquarters in London's Brick Lane yesterday, for Creative Review's 6th annual CLICK London Event.

The day was chaired by W+K's Andy Cameron, who did a fantastic job refereeing the panellists as the ongoing debate about the role of the traditional ad agency in the digital space continues.  The impressive line-up of speakers included inspiring presentations from Brothers and Sisters, ustwo, Seeper, Happiness Brussels, Ogilvy Digital Labs and Dare, to name but a few.

From iPhone apps to projection mapping and holograms, to talking trees, Twitter-driven inflatable space hoppers and a bespoke car-created font, the day featured some of the most innovative and exciting examples of digital thinking and interactive technology at its best.

Even lunchtime brought a treat in the form of a Brick Lane special - curry!

CR Click Event 1

We also asked guests to participate in our very own data visualisation project throughout the day.  Their responses to a series of statements about the future of digital in creativity and innovation were data-visualised to form the basis of a design for a scarf, which is being produced by our friends at Folk Clothing as we speak.

Well done to all those involved, and a special congratulations to Creative Review on another fantastic event!

Come back here next week when we'll have an exclusive video featuring highlights from the day.  In the meantime, check out the Twitter stream from the event to see what got everyone talking... #clickldn.

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Televisual magazine reveals Commercials 30 survey 2010

Wednesday, November 10, 2010

Televisual magazine published the results of their annual Commercial 30 survey today, listing the top 30 commercials production companies as well as the sector's best directors, ads, post houses and agencies.

Our good friend, Rattling Stick's Ringan Ledwidge was named the sector's favourite director, with Rattling Stick voted number one commercials production company by their peers;  Mother was named top agency by the commercials production companies and Independent's Nike 'Write the Future' spot was crowned best ad of the year.  

We would like to congratulate all of our friends and collaborators on another bumper year of creative excellence and look forward to many more in 2011!

You can read the full report online here.

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Fighting the Empire and animating toast from The Mill‘s Neil Evely

Wednesday, November 10, 2010

Firstly heres some impressive test footage of a new game due for release soon on the iPhone 4. Developed by Vertigore Games, the software uses the phones camera and gyroscope to give the impression that the Empire's TIE-Fighters are attacking your city. Quite how this might work when you play it on the tube, I'm not sure, and obviously the bad guys ships aren't interacting with the environment (now that would be worth playing on public transport) but so far as an entertaining aside, its a cool step forward.

Published by THQ Wireless, Star Wars Arcade: Falcon Gunner will hit the Apple Store in mid November for the iPhone 4 and iPod Touch 4th Gen. No support for the ageing 3G as the RAM and memory on that model just isn't up to scratch.

Secondly, those boys at OK GO have come up trumps with another great music video. It's not often i get to combine my two favourite things of being geeky and eating, but this is pretty close.

For their latest single 'Last Leaf' director Geoff Mcfetridge, working out of The Directors Bureau in Los Angeles, decided he'd try out some of his trademark animation, but this time via the medium of toast.

Yes, i said toast. Geoff spent 2 solid weeks creating the animation in flash, then exported out each frame, which in turn was used as a template to burn the image into the bread, then stop motion animated each slice.


Someone has already pointed out that if you keep an eye on the ridges at the top, you can tell that they worked their way through each loaf as a whole before starting the next, which is mindless info, but somehow bizzarely comforting.

Enjoy

NEil

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Calling all future stars of the CG Industry, CG Whiz is back!

Monday, November 08, 2010

For anyone with a passion for CG and ambitions to break into the world of visual effects, this could be the lucky break you've been waiting for. We have teamed up with our friends from Escape Studios and sponsor 3D Artist to launch the second annual CG Whiz competition, to uncover future stars of the CG industry.

And you only have until Friday to enter!

Stephen Venning, 3D Executive Producer, explains: "We're delighted to support CG Whiz in its second year.  For us it's a great way to check out the best amateur CG talent and offer the cream of the crop a real opportunity to build a career as a professional artist. This year, we're pleased to offer the winner a month's placement in either The Mill's London or Los Angeles VFX studios.  This, plus the state-of-the-art training offered by Escape Studios, is as close to an open door to a career in CG as you can get."

Open to anyone interested in computer graphics (professionals in CG aren't eligible). This competition offers over £15,000 or $24,000 worth of prizes and a unique opportunity to come and spend a month here at The Mill.

How to enter
To enter CG Whiz 2010, all you need to do is submit a show reel or set of stills compiled into a video. Make sure that you clearly label your entry with your name and title of your work, and then complete the following two steps:

Step 1: Upload your entry to any one of Escape Studios' social media channels. 

This can be done by:
- Adding your entry as a response to our CG Whiz competition video on YouTube (insert URL when video uploaded)
- Uploading your entry to 'Escape Studios' Facebook page
- Adding your video to the CG Whiz 2010 group on Vimeo
- Or even sending a link to your entry via Twitter to @escape studios , using the hashtag #CGWhiz

Step 2: Send your contact details including name, the title of your work, email address and telephone number to CGWhiz@escapestudios.com

The closing date for the competition is 12th November 2010 and winners will be announced in early December.

Good Luck!

For more information, visit: www.escapestudios.com or watch the video below:

 

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Redesigning mobile keyboards & tech round-up by The Mill’s Neil Evely

Friday, November 05, 2010

I don't class myself as being particularly huge or massive limbed, but i for one struggle to knock out a quick text reply (whilst avoiding obvious yoof speak) on my iPhone, due to my inability to hit the touch screen keys accurately. Replying that i will be 'just 5 minutes' can sometimes take me, 5 minutes or longer.

Saying all that, if someone suggested we remove the keyboard from my phone, much like that awful car on Top Gear that had a joystick instead of steering wheel, i would laugh at them and point mockingly.

This hasn't stopped a company called 8pen, doing just that, by replacing the standard QWERTY keyboard with a large, open space in which letters and phrases are constructed by a series of gesture inputs through specific sectors of the pad. The input free's up a lot of screen space, allowing for bigger Enter, Shift & Delete buttons.

The concept aims to bring back a more simple and fluent technique that better replicates actual handwriting. The video explains it much better than i can in words, so take 4 mins to look through how you might be sending texts and emails in the near future.

8pen is available on handsets running Android 2.2, would love to hear if anyone has used it and how successful it was.

You can read more about it at www.the8pen.com

Secondly and on a much larger scale is this fantastic demo of projection mapping 3D content. To help celebrate the Vimeo awards which in turn was sponsored by Honda, they used the Frank Gehry IAC HQ as a canvas in which to project this impressive light and sound display, created by the guys at Seeper.

My favourite part is @ 1:13 when things go a bit TRON, and yes, you'll have to bare with the slightly infuriating camera work too, i for one would be happy to watch the whole thing on a wide shot without it being over cut by some enthusiastic editor.

Thanks

NEil

 

 

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